UPCOMING PERFORMANCES:

DANCE THEATER WORKSHOP, NYC
November 9-13, 2010 @ 7:30 pm
(like a vase)
http://www.dancetheaterworkshop.org/greenberg

NEIL GREENBERG ON MONDAYS WITH MERCE:

http://dlib.nyu.edu/merce/mwm/2009-11-16/

VIDEO EXCERPTS ON YOUTUBE:

http://www.youtube.com/neilgreenberg

RECENT PERFORMANCES:

UC RIVERSIDE PRESENTS (RIVERSIDE, CA)
April 10, 2009 @ 8pm
University Theater
Really Queer Dance With Harps & Quartet With Three Gay Men
http://culturalevents.ucr.edu

REDCAT (LOS ANGELES, CA)
April 15-17, 2009 Wed-Fri @ 8:30pm
Roy and Edna Disney CalArts Theater in Walt Disney Concert Hall
Really Queer Dance With Harps & Quartet With Three Gay Men
www.redcat.org

RECENT GRANTS:

2009 DORIS DUKE CHARITABLE FOUNDATION CREATIVE EXPLORATION FUND GRANT
For the early stages of research and development of a new creative concept. A new program of The MAP fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation.

MULTI-ARTS PRODUCTION (MAP) FUND GRANT
For the creation of Really Queer Dance with Harps
The MAP fund is a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation.

AMERICAN MUSIC CENTER LIVE MUSIC FOR DANCE PROGRAM
Commissioning Funds for Zeena Parkins' new score
for Really Queer Dance with Harps

RECENT AWARDS:

revival of Not-About-AIDS-Dance honored as “One of 2006's 10 Best” by Apollinaire Scherr in Newsday:
“The supertitles that appear over the heads of the even-keeled dancers in Neil Greenberg's widely acclaimed, yet rarely seen, 1994 masterpiece dispassionately describe the dance's own creation — and the AIDS epidemic: While the choreographer was making this work, his friends were dying all around him. Weaving life and art together in a rich, contradictory web, Not-About-AIDS-Dance should be revived not every 12 years, but every year.”

Partial View awarded Time Out/New York Audience Award at the 2005 Bessies:
“For exploring the ways in which we see and experience a dance, for realizing a vision of the stage space and of the individual performer that is complex and personal, and for capturing the integrity and idiosyncrasy of his collaborators, the Time Out New York Audience Award is given to Neil Greenberg for Partial View at Dance Theater Workshop.”

Partial View honored as “One of 2005’s 10 Best” by Gia Kourlas in Time Out/New York
“Partial View was layered with gorgeous live and projected video by John Jesurun, as well as Zeena Parkins’s score for acoustic and electric harp, but its sparse beauty was grounded in Greenberg’s quietly superb choreography.”

Partial View honored as “One of 2005’s 10 Best” by Apollinaire Scherr in Newsday
“Best use of multimedia.  Video usually serves as no more than a weak distraction from the dance, but the live camera John Jesurun trained on the dancers in Neil Greenberg’s stunning ‘Partial View’ at DTW made an introspective journey visible.”

CLASSES WITH NEIL GREENBERG:

SUMMER MELT/ MOVEMENT RESEARCH (NEW YORK)
July 12-16, 2010 3:30-6pm (Composition)
131 East 10th Street at 2nd Avenue (St. Mark’s Church)
212-598-0551
www.movementresearch.org

RECENT BOOKS & ARTICLES:

ARTFORUM "500 Words" Interview with David Valesco, 16 June, 2008.
http://artforum.com/words/id=20588

Conversation between Neil Greenberg and Miguel Gutierrez from Critical Correspondence, Movement Research Publishing, 1 May, 2006.
part 1
http://movementresearch.org/publishing/?q=node/96
part 2
http://movementresearch.org/publishing/?q=node/97

Richert Schorr's “Neil, Moving” from Dance Theater Workshop/Blog, 7 Nov. 2007.
http://www.dancetheaterworkshop.org/blog/2007/11/07/neil-moving/

Lisa Paul Steitfeld's “New Narrative Energizes New York Performance” in NYArts Magazine, May-June 2007.
http://www.nyartsmagazine.com/index.php?id=7245&Itemid=240

David Romàn’s Performance In America: Contemporary U.S. Culture and the Performing Arts (Duke University Press, 2005), “Not About AIDS,” pp. 49-78.

Ann Daly’s Critical Gestures: Writings on Dance and Culture (Wesleyen University Press, 2002), “A Chronicle Faces Death and Celebrates Life,” pp. 135-137, etc.